To me, LFO 2A is closest to my memory of the ADT applied to Clapton's leads on WMGGW. There is a TON of variation available in the randomness simply by switching the modifier source on LFO1's Rate amongst the four LFO possibilities, LFO 1A, LFO 1B, LFO 2A, and LFO 2B, and you can get a deeper wobble by jacking up the slope even more on the Manual knob's modifier. Reel ADT puts the magic of that era in your hands within seconds.

The OOP helps get a bit of that and pull some of the flangey swish out so that it sounds a bit more ADT-ish and less flangey. The effect that would become an integral part of Abbey Road's signature sound was initially created at the famed studios in the 1960s to meet the needs of some very special clients: The Beatles. I distinctly remember hearing a tambourine shaking behind me the first time I heard (IIRC) Nowhere Man on good speakers (a friend's Polk Audio system). Waves/Abbey Road Reel ADT is the first plugin to successfully emulate Abbey Road Studios' pioneering process of Artificial Double Tracking. In the post-Help albums, they started doing some studio trickery with phase and such (and ADT). the Reel ADT normally will knock it out of the park. The OOP one adds the phase reverse on one side, so it sounds a bit more Beatle-y. creating a second vocal (or anything) that is slightly delayed in time due to the physical gap between the record and playback. Waves plugs-ins have been industry standard for a long time, but there are certain plugs I just. The wobble is a bit wobblier, like whoever is twiddling the knob is a bit stoned.

Waves reel adt